Ahhhh!

22 Aug

I disappeared. I haven’t posted in – what, THREE months? Wow :)

Well, I have been drawing only very occasionally. And I never havw the time to take photos of my sketches and photoshop it to correct the colours…

And then I realized that one of the reasons I barely held a pencil/pen/brush was that my head was full of false ideas that I need to have an idea before drawing. An illustration with a story behind it. A real painting. Or – if just a sketch – it has to be a study of something real.

And as I have no ideas and I never have the time to sketch when I am outside – and there’s nothing interesting inside my house, really – I simply stopped painting. So sad!

Once this realization hit me, I waited for both of my kids to be in bed – opened a pad of paper I bought about 6 months ago (with paper for markers) and just started, curious to see what is so special about this paper.

It all started with a pink circle. Which turned into a face. Which turned into a girl. Which turned into a playground full of kids.

And then the next day I drew more kids.

And then even more.

This is so unusual. I have never painted/drawn kids before. And I always start with no idea as to what kind of scene I am going to paint. It’s all spontaneous. And I love it!

Little Red Riding Hood – 2

16 May

Another technique that I learned this month through my online illustration course is masking taping your characters.

We’re still onto Little Red Riding Hood, so I started with the wolf. I had an idea in my head of what pose he should be in, so there he was. The technique was much fun.

Then for the following 2 days I stared at my wolf, trying to figure out what to do with him next. So I added the ground.

And then the Little Red Riding Hood.

And then the shadows.

And then I decided I definitely like this illustration. It turned out really well :)

Little Red Riding Hood

14 May

This month we are onto illustrating Little Red Riding Hood (with my online illustration class), and as always – we’re learning new techniques.

Here’s an attempt in an acrylic over oil pastel technique, where you cover the paper with oil pastel, then cover it over with acrylic – which, of course, won’t bind too well to oil – and then scratch the image out of the acrylic layer.

Very liberating as the results are not very predictable and you can’t be too precise with details and there’s no way you can fix anything that went wrong. Once you scratched the acrylic – you scratched it :)

On being a mom

29 Apr

I have a newborn. My older son is still in daycare, but my newborn is making sure I am drained enough to stop painting. Well, almost.

Because while he’s draining me, he’s inspiring me, too – and sometimes I manage to put the ideas on paper.

This is how I felt trying to figure out how to get my baby to sleep at night (note the choice of words: “at”, as opposed to “through”):

I succeeded, as a matter of fact :)

I drew this one below after my bathroom scale showed weight increase – after I lost so many pounds literally overnight. What has caused it? Chocolate craving. Which I cave in to late at  night after my toddler is in bed. Cause, you know, chocolate is bed for his teeth. But now it’s bad for my figure!

I even managed to sketch my son while breastfeeding. No, I don’t have 8 arms like an Indian goddess, and no, I am not with cirque du soleil. But I managed this :)

So there you go. Even sleep deprived, breastfeeding, and tired – I find some time for myself – and my passion!

uh-oh! baby’s stirring! gotta go :)

Free Strathmore Online Workshops

21 Mar

So far what has been posted is nothing new, but still… worth saving a link – maybe later they’ll post something a bit more advanced.

http://www.strathmoreartist.com/artist-studio/

Watercolours – free tutorials

18 Mar

Saving the link to explore later – free watercolour tutorials

http://www.watercolorpainting.com/watercolor-tutorials.htm

 

Yupo paper experiments

15 Mar

For the online course I’m taking, we’re experimenting with yupo paper and water colours this month. Yupo is a synthetic, plasticky sort of paper that allows you to pretty much wipe off whatever you painted, allowing for looser, wilder experiments like wiping, stenciling, etc. And you can push the paint around endlessly, it never gets absorbed into paper.

We’re illustrating a French fairy tale this month – “Blondine, Bonne Biche and Beau Minon” (I hope I spelled it right) – but the focus is on experimenting and pushing your own limits, not on the actual illustration composition and such. Here are my first four trials.

A swan, surrounded by magical fairy-tale flora:

I started off by painting the swan and then decided to add the background colours, and then added the plants in pencil and micron pen. I pushed the paint around, erased it in certain places with a q-tip (like the flowers on the top left) and wiped the paint off around the swan’s head to make it pop a bit more.

Beau Minon, brooding:

The cat was waaaay too fluffy at first, so I erased it (but the marker lines remained… markers don’t wipe off quite as easily as watercolours and micron pens). Then I added the background and the grass.

Blondine, following the evil parrot in pursuit of the Rose.

At first, they were on white background which I disliked but didn’t know what to do. So I covered the background with paint blobs, “found” flowers in them and drew them with pencil – and then darkened the in-between with pencil. I also used stencils for the deer’s white spots and for Blondine’s flowers on her dress.

Blondine riding on the Tortoise:

I really wanted to use my magical flowers here. The tortoise just “appeared” in the colour blobs (hence it has 3 legs :))

I coloured Blondine with a marker.

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